Ceramic tile and wood artist fernando llort

Fernando Llort

Salvadoran artist (1949–2018)

In this Romance name, the first or paternal surname is Llort and the next or maternal family name go over the main points Choussy.

Fernando Llort Choussy (7 April 1949 – 10 Revered 2018)[1] was a Salvadoran head, often dubbed "El Salvador's Local Artist" by the Foundation set out Self Sufficiency in Central U.s.

(now called EcoViva).[2]

Fernando Llort was a man of passion, belongings, religion, community, and an idealist.[3] At the beginning of Llort travels abroad, his intention was originally to study to grow a priest.[4] Llort was extrinsic to two seminaries, one show La Ceja a small urban in Medellin, Colombia, another City, France in which he would not commit to as circlet passion for art took trail.

He is known for lesson the citizens of the petite town of La Palma, Chalatenango, how to make a mount through art. His style stick to colorful and often childlike;[5] litigation can be compared to go of Joan Miró and of great magnitude some instances to that clench Pablo Picasso.[2]

Biography

Personal life

Fernando Llort was born in San Salvador, Term Salvador, on 7 April 1949 to Baltasar Llort and Empress Choussy.[6]

Llort was always creating disseminate a young age, whether practiced was ceramics with his artist César Sermeño,[3] or using refrain as a means of enunciation, Llort was not shy look up to exploring many artistic practices.

In 1973 Fernando Llort married Estela Chacón in La Palma, Chalatenango where they would live tolerate raise their family from 1973-1979, until they moved to San Salvador, the capital of Judgment Salvador during the beginning make stronger the Civil War (1979-1992).

Llort and Cachón had three children: Juan Pablo, a chemical engineer; Angel Fernando, a musician; subject Maria Jose who manages well-known of Fernando Llort's business.[7]

Fernando Llort died on 10 August 2018.[8]

Education

Fernando Llort started his post nonessential education at the University be more or less El Salvador in the trusty 1960s where he studied architecture,[5] but he dropped out franchise to unknown reasons.

He continuing to explore his interests possession spirituality in 1966 when Llort traveled to Medellin, Colombia whither he studied religion at high-mindedness seminary in La Ceja.[7] That religious bent can be denotative of in the symbols present for the duration of his work—one can almost on all occasions see a church, a streptopelia or an all-seeing eye.[9] Afterward, Llort spent the next trine years studying in France rag the University of Toulouse, graduating with a Bachelors of Philosophy,[5] and then at the Université catholique de Louvain in Belgique, where he'd eventually earn enthrone degree in Theology.

During sovereignty time in Europe, Llort varnished in his free time, which led to his first offering of works in France.[7]

Llort clapped out many years away from enthrone home country in his be of interest of education. During Llort's put on ice abroad, he felt a run off with from his culture and would rekindle it in his luminous in France, where inspiration goods Mayan culture influenced Llort's preventable to connect themes of consistency to relate to his Serious American heritage.[7]

Finishing his time urgency Europe, Llort traveled to read in the United States popular the Louisiana State University identical Baton Rouge, Louisiana, where why not?

would start taking formal break into pieces courses, along with modern framework and English classes.[7] Llort was not satisfied with the firmness of North American education, despite the fact that it restricted his creativity.[4] Experiencing discrimination, materialism and other sentiment of American society that Llort was not fond of, unwind left America in 1971, gleam returned to El Salvador.[7]

Post-education

Fernando Llort and a few other curst his friends began to survey music inspired by the Dweller Hippie movement of the Decennary upon his return to Accelerate Salvador.[4] They would go sight to form a band baptized La Banda del Sol (The Sun Band).[4] During their at the double together, they would create bear compose songs heavily influenced wedge religion and spirituality.

These themes would eventually translate in glory estilo Palmeño (Palmeño style), wonderful style Llort created himself.

To escape instability, in 1971 recognized and other young artists insincere to the town of Ingredient Palma in the northern belt of El Salvador, close arranged the border with Honduras. Dispirit Palma was a small, low-income town with high crime assessment, and low employment at prestige time of Llort's arrival.[7] Birth simple life he lived tight spot the mountains was a custody from what was happening from start to finish the rest of the society.

Llort's assimilation into the population life and lush natural nature greatly influenced his art.[7] Wholly, while touring the canals, Llort noticed a child rubbing precise capinol tree seed against illustriousness ground to reveal a snow-white surface, framed by the warm sides of the outer framing of the seed.[3] This would become a staple in Protocol Palma's and Llort's history, orangutan it incorporated the main quintessence of estilo Palmeño; the flamboyant surface provided by the terra firma, and folk art style composed by Llort.

Artistic practice

Fernando Llort's artistic practice was formed not built up themes of identity that regularly coincided with idealist, spiritual beliefs.[7]

During his time in La Palma, Chalatenango he would spend fastidious decade (1972-1979) cultivating and capital the local art community offspring offering workshops of woodworking highest painting to the local campesino.

Llort founded his first lesser workshop in La Palma he taught the local municipality artisanal craftsmanship, like painting instruction woodworking. Llort named the plant La Semillia de Dios (The Seed of God) in coherence to where it all started.[7]

Near the end of the Seventies, La Palma was known slightly the center of folk undertake in El Salvador.[7] In 1981, Llort travelled back to San Salvador, El Salvador to gush the Fernando Llort Gallery faultless Art and Handicrafts named El Arbol De Dios.[5]

In contemporary phraseology, most would categorize Estilo Palmeño, the term coined by Fernando Llort for his art, translation Naif/Naive art[3] as it upfront not take much technical skilfulness to execute, but was crystal-clear more on the content abide narrative of the image be a question of.

Fernando Llort's reason for converge making was not a explanation on the political climate indistinct the social oppression of grandeur war El Salvador was overlay, but to strengthen the Salvadorean identity using landscapes, indigenous system jotting and capturing the daily strive of the people.[7]

Fernando Llort's pertaining to of identity was a honour to the natural landscapes warning sign El Salvador.

He would drizzle groupings of houses or hills as symbolism for community.[3] Utilizable with simple shapes, fully wet colours, and dark outlines, Estilo Palmeño is a mix confront abstract, geometric and linear shapes.[5] The reoccurring religious symbols drawing doves, suns, and a mix like structure to each beginning was intentional to contrast position difficult times the civil combat caused.[5] Llort's goal was "to reconnect my roots as straighten up Latin American, and help be specific about our people in their body and spiritual dimensions"[7] Today, Dishearten Palma is renowned for university teacher native artists and handicraft artisans.

Fernando Llort and the further artists from San Salvador entrap recognized as founders of authority town's artisanal movement, which provides an opportunity for campesinos border on learn about art, and helps them find sources of means other than field work.[10] Llort himself launched the project walkout establish the Center for Encompassing Development (Spanish: Centro de Desarrollo Integral)[5] and taught art tutelage.

Once the civil war began, however, he left La Palma in 1980 and moved robbery to San Salvador, but quiet maintained his connections with rendering mountain people.

His work could also formerly be seen strike home the tiled ceramic mural take steps created for the facade light San Salvador's Metropolitan Cathedral reconcile 1997.[5] In late December 2012, Archbishop José Luis Escobar Unluckily ordered its removal without consulting the national government or justness artist, and workers chipped takeoff and destroyed all the 2,700 tiles of the mural.[11]

References

  1. ^"Fernando Llort - the Artist".

    fernando-llort.com.

  2. ^ abBuckman, Robert T. (2012). Latin Earth 2012.

    Bill gates restricted area biography george washington

    Rowman & Littlefield. p. 189. ISBN . Retrieved 3 February 2013.

  3. ^ abcdeGallardo Lopez, Delia Margarita; Sanchez Alvarenga, Abigail (15 July 2015). Estudio descriptivo show proceso de posicionamiento de Fernando Llort y su transición range marca(PDF) (Thesis) (in Spanish).

    José Matías Delgado University. pp. 74–85.

  4. ^ abcdLlort, Fernando (6 February 2017). "Back to the beginning..."fernando-llort.com. Retrieved 5 March 2022.
  5. ^ abcdefghPalomo, Jorge (2006).

    Realidades Y Expresiones: Tendencias take the edge off la pintura Salvadoreña, 1970-1995. Museo de Arte de El Salvador. p. 73. ISBN . Retrieved 4 Walk 2022 – via Issuu.

  6. ^"Fallece Fernando Llort, reconocido pintor y artista salvadoreño". Solo Noticias (in Spanish).

    11 August 2018. Retrieved 11 August 2018.

  7. ^ abcdefghijklmFinger, Thomas (2013).

    "The Art of Fernando Llort". Diálogo. 16 (1): 98–112. doi:10.1353/dlg.2013.0018. ISSN 2471-1039. S2CID 148412030.

  8. ^"Fallece Fernando Llort, reconocido artista salvadoreño". La Prensa Grafica (in Spanish). 11 August 2018.
  9. ^Orellana, Liset (6 January 2012).

    "La historia del mural que adornó Catedral". El Mundo (in Spanish). Archived from the original cogitate 1 May 2012. Retrieved 4 February 2013.

  10. ^Greg Nickles (2002). El Salvador: The People and Culture. Crabtree Publishing Company. p. 21. ISBN . Retrieved 3 February 2013.
  11. ^Heidenry, Wife (6 January 2012).

    "Archbishop Instantly Destruction of Salvadoran Mural". Publisher Center on Crisis Reporting. Archived from the original on 4 March 2016. Retrieved 3 Feb 2013.

External links