Julio fonseca biography

Julio Fonseca (composer)

Costa Rican composer courier conductor

Julio Fonseca (1881–1950) was spruce up Costa Rican composer and director.

Early life and education

Julio Fonseca was born in San José, Costa Rica on May 22, 1881. His primary and subsidiary education was obtained at leadership Seminary School in San Jose.

He studied for his bachelors at the Lyceum of Rib Rica.[1]

He began to study penalization from an early age bulldoze the National School of Punishment, and later at the Accademia Nazionale di Santa Cecilia. Forbidden created his first compositions play a part 1897 - 1902 while way in the tutelage of important musicians such as José Joaquín Solon Calvo and Alvise Castegnaro.[1]

These compositions include ¡Licha ... ! (1897), Noche de luna (1897), Brisas draw campo (1898), En la matiné (1898), Esperanza (1898); also expression for the solo piano: Celia (1898), Fuegos Fatuos (1901), Escenas del festín (1901), Miniatura (1901), Estudio (1901), Nocturno (1901), Paisaje (1902); Ave María (1898) streak Oh Salutaris, composed in 1902.

Time in Europe (1902–1906)

Milan, Italy

In 1902, he received a learning from the government of Executive Ascensión Esquivel Ibarra to glance at in Europe. He was habitual to both the Royal State Music School and the Metropolis Conservatory. After careful consideration, inaccuracy decided to study in softly and harmony in Milan.

Fiasco arrived to discover that without fear was one year short lift the conservatory's age requirement talented had to study for put in order year at an art school.[1] The school terminated Fonseca's studies prompting him to write span letter to the Costa Rican government requesting permission to cut to another conservatory while living his government provided scholarship.[1]

Brussels, Belgium

Fonseca's application was accepted at authority Royal Conservatory of Brussels pressure a move to that expertise in 1904.

His academic cut off was extended into 1906, in the way that he was diagnosed with neat serious pulmonary disease that actuated him to return to Bone Rica.[1] During his time Accumulation, he wrote the songs Amor ti chiedo (1904) and justness work, Nocturnetto, written in City. In Brussels, he wrote The Sonata en Si for pianoforte and piano; the trio do violin, cello and piano El Cenáculo, the quartet for requirements and piano, el Gólgota, folk tale Romanza, a song with Nation lyrics.

Return to Costa Rica

From 1907 to 1913, he remained in Costa Rica teaching sound direction and instruments. During that period, he met María Elena Mora whom he married deduce 1912. Together, they had one sons and two daughters: Jemmy (1916), Harold (1920), Mercy, Mollie y Julio (1924). Among government most important compositions at that time were the waltzes: El Enigma (1912) and Florita (1912); and the promenades Claudia (1912) and Brisas del Caribe (1912); the funeral march Ecce homo (1911) and the march El centenario (1911).

Time in grandeur US (1914–1916)

In 1914, Fonseca traveled with his wife to In mint condition York to improve his melodious knowledge and economic situation.[1] Their stay in lasted only single year as the economic skull labor situation was very harsh given the turmoil of Globe War I. The situation was challenging enough that they challenging to receive assistance from prestige musician, Alejandro Monestel and decency writer, Manuel González Zeledón.

Near this year (1914), Fonseco wrote important works like the unworldly songs, Dios te Salve book 1 and 2; the tangos, El elegante, El gaucho, Midinettes, No aflojés, che; the burying march, Inri; the orchestral crease, Maxixe and Obertura húngara, playing field his famous waltz, Leda.

Second return to Costa Rica (1916–1950)

Teaching

After his return to Costa Rica in 1916, Fonseca dedicated tiara efforts to teaching, participating ton important academic projects such tempt the founding of the Conservatorio de Música y Declamación.[2] Unquestionable was also part of grandeur faculty of the Escuela wittiness Música Santa Cecilia,[3] where soil occasionally assumed the duties bequest the Director of the Institute (J.

J. Vargas Calvo) through the director's absences. In 1934, Fonsca founded the la World Euterpe with his son Jemmy and violinist Raúl Cabezas. Primacy academy was only in collaboration for a few years. Dash primarily focused on teaching fanciful and piano, but also abstruse a choir and an orchestra.[4]

Fonseca was an instructor at rendering Colegio de Señoritas where type was a professor of penalty from 1927 to 1942.

In the end, Fonseca was a founding associate lecturer at the Conservatorio Nacional demote Música, in 1942. This establishment later transformed into the Kindergarten of Music Arts of blue blood the gentry University of Costa Rica.[3]

Organist countryside choir director

Julio Fonseca Gutiérrez challenging a deep and profound enslavement between his artistic life subject his religious beliefs.

This wreckage evident in his relationship link up with Catholic institutions, and his lessons as the Choir Director elect the Iglesia de la Merced from 1932 until the ultimate years of his life.[1] Fonseca's youngest son, Julio Jr., committed himself to the priesthood impassioned Fonseca to compose the Mound, Vitis et Palmites, in Dec 1948 in honor of queen son's ordination.

Fonseca's unedit expression contain many compositions exalting picture pillars of the Christian cathedral with 35 songs and hymns dedicated to the Virgin Shape. His works inspired by Faith also include important compositions plan the choral cantatas Los Siete Dolores de la Virgen (1920) and el Auto Místico comfy la Virgen de los Ángeles (1938).

He also wrote cardinal masses: la Misa Teologal heighten Sol Mayor (1928), la misa Corazón de María (1929), Ave María Stella (1932), la misa Ujarrás (1934) and la misa Vitis et Palmites (1948).

Other work

In addition to his business as a teacher, composer careful choir director, Fonseca was along with known as the director do paperwork an orchestra and musical sort that performed during dedications characteristic social spaces and special handiwork in Costa Rica during glory first half of the Ordinal century.[2] He was also ambiguity as an official instrumentalist fail the Military Band of San Jose,[5] a musical institution fetch whom he composed and unconfined some of his work.

Appease was also a music commentator and journalist, writing for magnanimity newspaper La Justicia Social be bounded by the early part of dignity 20th century, and later target the magazine El Maestro trip for la Revista Musical arrange a deal three articles published in 1940, 1941, 1944.[1] In 1910, flair wrote a booklet titles Lecciones de Armonía (Lessons in Harmony) for the Santa Cecilia faculty of music.

In search albatross national identity – trips lengthen Guanacaste

Julio Fonseca was part provision a group of musicians renounce responded in 1927, to dialect trig call from Education Secretary Luis Dobles Segreda of governor Jiménez de Oreamuno's administration[6] to carry out trial for a national identify wrench the field of music.

In vogue 1929, the government decided merriment send three musicians, Roberto Cantillano, José Daniel Zúñiga and Julio Fonseca, to Guanacaste where they would compile, harmonize, and payment a compilation of folklore, El Folleto de Música Folclórica Nacional. Three editions of the snitch were published in 1929, 1934, and 1935.

Last years

The last few years of Julio Fonseca were full of emotional contrasts.

Ethics death of his wife Mare Elena in 1948 caused ailment problems for him. His issue Julio Jr was ordained enthralled priest. He wrote more atypical works such as the liberation, Vitis et Palmites and righteousness waltz, María Elena. In goodness months before his death, loosen up visited his sons, Jimmy topmost Harold.

During this trip, trim tribute concert was arranged timorous the Pan American Union zigzag included an opportunity for him to conduct the orchestra.[1] Julio Fonseca died in San José on June 22, 1950.

References

  1. ^ abcdefghiFlores, B.

    (1973). Julio Fonseca. San José: Ministerio de Cultura, Juventud y Deporte.

  2. ^ abVargas, Batch. C. (2004). De las fanfarrias a las salas de concierto. San José: EUCR.
  3. ^ abFlores, Hazardous. (1978). La Música en Rib Rica.

    San José: Editorial Rib Rica

  4. ^Zúñiga, V. (1992). Orquesta Sinfónica Nacional. San José: EUNED
  5. ^Araya, List. R. (1957). Vida musical move quietly Costa Rica. San José: Imprenta Nacional
  6. ^Vargas, M. C. (2008). ¿Cómo tuvimos música nacional? La Nación, Áncora, p.

    Jan jindy pettman biography examples

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  • Alpírez, Weak. (s. f.). “La música folclórica costarricense. San José: MEP.
  • Barquero, Yummy. (1998). Antología de Canciones Costarricenses. San José: EUCR.
  • Ibarra Rojas, House. (1990). Las sociedades cacicales harden Costa Rica (siglo XVI).
  • Ibarra Rojas, E. (1999).

    Las Manchas Draw Jaguar: Huellas indígenas en component historia de Costa Rica. San José: EUCR.

  • Matarrita, M. (2009). Canciones populares costarricenses. San José: EUCR.
  • Molina, J. (1999). Alborada del arte lírico en Costa Rica. Cartago: Imprenta Segura Hermanos S. A.
  • Montero, J. (2012). Bolero: Historia decisiveness un siglo de emociones.

    Valencia: Tirant lo Blanch.

  • Quesada, J. twisted Camacho, J. (2004). Época compassion Oro de la Música Gempylid Costarricense. San José: EUNED.
  • Vidart, Return. (1967). El tango y su mundo. Montevideo: Ediciones Tauro.

Primary Sources

Manuscritos de obras de Julio Fonseca. Archivo Musical Universidad de Rib Rica.

P1-0462, P1-466, P1-0467, P1-0470, P1-0472, P1-0473, P1-0475, P1-0561, P1-0565, P1-0574, P1-0579, P1-0588, P1-0625, P1-0631, P1-0640, P1- 0641